When the Breeders reunited to release their first new music in a decade, the 2017 single ‘Wait in the Car’, they formed a series of limited 7” releases. On one, Kim Deal’s dreamy reimagining of Mike Nesmith’s ‘Joanne’ fills the B-side. Today for the first time, the Breeders release an intimate video of Deal’s recording of that exact take in Steve Albini’s Chicago, IL studio with an appearance from Albini. Deal and Albini will appear in conversation at SXSW on March 14. The Breeders’ long-awaited fifth album All Nerve is out on March 2.
The Breeders announce details of their long-awaited fifth album. Entitled All Nerve, and featuring recent single ‘Wait in the Car’, the group’s first record in a decade will be released on March 2, 2018. All Nerve’s title track is now available to hear below.
All Nerve reunites band members Kim and Kelley Deal, Josephine Wiggs and Jim Macpherson – the line-up behind the iconic and platinum-selling record, Last Splash. The quartet returned to the stage in 2013 to celebrate the album’s 20th anniversary and have been quietly working on new material since then. Recording took place at Candyland, Dayton, Kentucky, with Mike Montgomery; Electrical Audio, Chicago, with Steve Albini and Greg Norman; and with Tom Rastikis at Fernwood Studios, Dayton, Ohio. Artwork was conceived by Chris Bigg, who has worked with the Breeders since their first album, Pod.
All Nerve will be released on March 2nd on CD, standard edition black vinyl LP, limited alternate sleeve/orange vinyl (independent stores only) and digitally. ?
This year, Future Islands will have played an astonishing 117 shows in support of their latest album, The Far Field. The Baltimore-based trio performed in front of the biggest audiences of their 11-year career, topping festival bills around the globe and headlining three consecutive nights at London’s Brixton Academy last month and today begin their three date sold out NZ Tour – playing Wellington’s San Fran twice and Auckland’s Powerstation.
It’s fitting then, that the new video for ‘Beauty Of The Road’ (created by Jay Buim) depicts the hard-touring band in their natural habitat. Buim spent several days on the road with Samuel T. Herring, William Cashion, Gerrit Welmers and drummer Michael Lowry earlier this year, and his visuals capture the infectious energy of their live shows.
DIRECTED BY AND FEATURING NEW YORK CITY BALLET CHOREOGRAPHER JUSTIN PECK
SLEEP WELL BEAST NOMINATED FOR TWO 2018 GRAMMY® AWARDS
Playing Auckland’s Villa Maria Winery – Feb 23, 2017
The National are pleased to release the video for “Dark Side Of The Gym”, directed, choreographed and starring NYC Ballet Resident Choreographer and soloist Justin Peck and executive produced by former Miami City Ballet dancer and current dance filmmaker Ezra Hurwitz. Also starring former Miami City Ballet mentor and Principal dancer, Patricia Delgado, the video finds the duo gracefully move around a balloon filled auditorium. The video premiered via New Yorker, who described it as “essentially an extended pas de deux, highly technical but low-key, intimate, and a little sexy…The song and the video read like a love letter. At the end, as the music frays and the dancing stops, the camera settles on Delgado’s sorrowful, vulnerable expression.”
It’s already been a big week for the band, with their critically acclaimed new album Sleep Well Beast receiving Grammy nominations for Best Alternative Music Album and Best Recording Package.
The National are returning to New Zealand in 2018 to play on the Feb 23 in the beautiful grounds of Villa Maria Winery – Auckland.
U.S. GIRLS Announces new album In a Poem Unlimited Releases new video ‘Velvet 4 Sale’
2017 marks a decade of U.S. Girls, the protean musical enterprise of multi-disciplinary artist, Meg Remy. Today, Remy announces her sixth studio album In a Poem Unlimited will be released Friday 16 February via 4AD / Remote Control. To celebrate she has shared a new single ‘Velvet 4 Sale’.
Remy’s second release for 4AD, which also includes her recently released single, ‘Mad As Hell’ was tracked in collaboration with Toronto-based instrumental collective the Cosmic Range, and features arrangements by long-time contributors Maxmilian Turnball and Louis Percival. The dizzying buffet of live grooves on In a Poem Unlimited represents an inversion of the dusty, sample-based minimal textures of Half Free, Remy’s 4AD debut.
In a Poem Unlimited features dark meditations reflecting charged atmospheres that precede and follow acts of violence. Many of the songs are character studies of women grappling with power. Remy also rallies against the public lies told by political and religious leaders, and more crucially, questions the lies we tell ourselves in order to survive. In A Poem Unlimited may be Remy’s most individually distilled protest to date.
Following ‘Mad As Hell’, album opener ‘Velvet 4 Sale’ is released today. The song concerns a female narrator imploring another to buy a gun for protection, impressing that the only way to change men is for women to use violence. Remy says, “Men are lucky women (and children) have yet to take up arms. And although I hope this never happens and I completely disagree that violence is ever effective, this very idea was ripe for a song.”
The accompanying video explores the idea of acknowledgement as a form of retribution, a counterbalance more powerful than violence itself. Remy plays a police officer who discovers that a fellow cop who has beaten his wife will be left off the hook as a “professional courtesy”. By the power of her unrelenting gaze she banishes the abuser in the final images of this powerful and provocative video. This striking tableau representing the power of bearing witness ties back into the album’s underlying theme; that truth and acknowledgement are our most potent and corrosive weapons in the fight against repressive inequality. Remy’s work with this video (which she co-directed with Alex Kingsmill) and the album as a whole, illustrate and seek to inspire the taking up of these moral arms.