Destroyer shares “Cover From the Sun”

Destroyer shares “Cover From the Sun” as final preview of new album ken, out Friday

Before the October 20 release of Destroyer’s 12th album ken, Dan Bejar is sharing one final preview from the release that Record Collector has already called “a luxury item, one of the most vital pieces of hand luggage on our hero’s journey.”

Listen to & share Destroyer’s “Cover From the Sun” now

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Wolf Parade – NEW ALBUM!! NEW VIDEO!!

WOLF PARADE’S CRY CRY CRY IS OUT NOW!

PRAISE FOR WOLF PARADE

“…Their best yet,” ****The Guardian

“A dark and beautiful reunion record”SPIN

9/10Drowned in Sound

“Cry Cry Cry is 21st century rock at its most delectably omnivorous [8/10].”Uncut

“Cry Cry Cry is fully and completely a Wolf Parade record. The band not only sounds like itself, it sounds as good as ever.” [8.5/10]Under the Radar

Wolf Parade’s Cry Cry Cry, the band’s excellent fourth album, is out now on Sub Pop / Rhythmethod.

In celebration, Wolf Parade dropped a new long-form video entitled “Cry III (King of Piss and Paper / Artificial Life)” during their Indieheads AMA.

WATCH HERE:

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WHITNEY ANNOUNCES ‘LIGHT UPON THE LAKE’

WHITNEY ANNOUNCES ‘LIGHT UPON THE LAKE: DEMO RECORDINGS’ OUT NOVEMBER 10TH

Whitney are pleased to announce the release of Light Upon The Lake: Demo Recordings coming out November 10th, and share the previously unreleased song, “You and Me.” The track was written in 2014-2015 during the early sessions for Light Upon The Lake.

WATCH HERE:
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LANKUM ANNOUNCE NEW LP ‘BETWEEN THE EARTH AND SKY’

LANKUM
Between the Earth and Sky
Album Release Date: 27 October 2017

“Lankum are the darlings of Dublin’s 300 year-old folk scene.” Colin Irwin – The Guardian

Lankum are one of the most talked about bands to come out of Ireland in decades. They are a Dublin four-piece who combine distinctive four-part vocal harmonies with arrangements of uilleann pipes, concertina, accordion, fiddle and guitar. Their repertoire spans humorous Dublin music-hall ditties and street-songs, classic ballads from the Traveller tradition, traditional Irish and American dance tunes, and their own original material. The band comprises of brothers Ian and Daragh Lynch along with Cormac MacDiarmada and Radie Peat. When not on tour Ian lectures in Irish Folklore and musical traditions in University College Dublin, while Cormac and Radie grew up as champion traditional players, on the fiddle and concertina, respectively. Yet Lankum are not purely trad themselves, in the same way The Pogues were more urban music. Rough-hewn and raw, they’re the edgiest thing in Dublin right now.

Having spent the last number of years performing as ‘Lynched’ a play on Ian and Daragh’s family name Lynch, the band decided that they would no longer continue with the name due to the unavoidable implications that it has in regards to acts of racist violence. Their new name comes from the ballad ‘False Lankum’, as sung by the Irish Traveller John Reilly Jr.

The band was originally formed by brothers Ian and Daragh Lynch in the early 2000’s, and has since progressed through a number of incarnations, culminating in the four-piece group playing today. The release of their album ‘Cold Old Fire’ and a subsequent appearance on the BBC television programme, ‘Later… with Jools Holland’ cemented their reputation as a band that successfully crosses genres. Lankum are busy breathing new life into old music.

27 October 2017 sees the release of the bands second album, and their first on the
Rough Trade label.

Although an acoustic group whose repertoire is fundamentally based on traditional song, influenced by legends such as Frank Harte, Planxty, The Dubliners and the Watersons, subtle traces of the group’s collective influences can be detected, ranging from American old-timey music to krautrock and drone.

ONLINE:

www.lankumdublin.com/

 

KING KRULE ANNOUNCES NEW LP AND SINGLE

KING KRULE
NEW LP “THE OOZ”

Released October 13th
on XL Recordings/ True Panther Sounds

shares new single & video
‘Dum Surfer’

Picture Credit: Frank Lebon

One of the most celebrated figureheads on the independent British scene, Archy Marshall returns with the dense, sprawling “The OOZ”, the much anticipated follow up to his debut “Six Feet Beneath the Moon”. Drifting and seeping through the cracks of South London like the album title, King Krule casts an unflinching eye over his kingdom, transforming his observations of all the disorientation and heartbreak of his youth into piercing narratives and poetry that are both startlingly honest and brutally beautiful. With “The OOZ”, Marshall finally takes the crown as poet laureate for the dazed and confused generation, painting a bleak and sometimes harrowing picture of a rapidly splintering city.

“The OOZ” is released October 13th on XL Recordings/ True Panther Sounds, and can be pre-ordered HERE. It also comes preceded by the raucous new single “Dum Surfer” which can be pre-ordered HERE, as well as a brilliant Brother Willis directed video which you can see HERE (link). This autumn also sees Marshall hitting the road for a worldwide tour this autumn; for further details head to http://kingkrule.co.uk/live

Where “Six Feet Beneath the Moon”, released in 2013, was a rigorous, rambling excavation of Marshall’s expansive body of work to date, “The OOZ” snaps into focus quickly and sharply, his modus operandi coming into view almost immediately. Over jazzy curlicues and guitars, the opener “Biscuit Town” sets out its stall irresistibly as Marshall sings about rapidly disintegrating romance and personal dissolution with acute, almost painful detail. These wrenching themes of self-annihilation and fraying relationships seem inextricably linked in Marshall’s eyes – once you lose yourself to someone else, you inevitably wind up losing yourself completely when they leave – and recur in other tracks. “Why’d you leave me? Because of my depression? You used to complete me but I guess I learnt a lesson” he spits on the roiling “Midnight 01 (Deep Sea Diver)”, and, even layered with the warm vocals of Okay Kaya, “Slush Puppy” is an unsparing dissection of a couple with nothing left to give, like a Gainsbourg and Birkin ballad gone toxic. Elsewhere, things only get darker, as Marshall desperately tries to find safe harbor in the city he knows and loves, only to be thwarted constantly, as on “The Cadet Leaps” and first single “Czech One”. Not even the synthetic high of chemicals, as shown in “Emergency Blimp” and “A Slide In (New Drugs)”, can stanch the suffering.

Although seeming at first abstract, “The OOZ” as a title proves oddly fitting. There are references littered throughout about its physical manifestation, or as Marshall himself says, “about earwax and snot and bodily fluids and skin and stuff that just comes out of you on a day to day basis”. But it works on a more figurative level too, with the OOZ also representing the unknown depths or horizons the solitary mind can travel to, whether it’s sinking into the deep sea or soaring through the night sky. It may be messy, unwieldy, even unsightly, Marshall seems to say – but we need The OOZ in order to exist.

WATCH:’Dum Surfer’
(directed by Brother Willis)

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WILLIAM EGGLESTON ANNOUNCES DEBUT ALBUM “MUSIK”

FAMED PHOTOGRAPHER WILLIAM EGGLESTON ANNOUNCES DEBUT ALBUM, “MUSIK,” OUT OCTOBER 20TH ON SECRETLY CANADIAN

“Music of wild joy with freedom and bright, vivid colors.”David Lynch

Native Memphian William Eggleston, 77, who is widely regarded to be the most important photographer of the late 20th Century, has announced his debut record, Musik, produced by Numero Group co-founder Tom Lunt and due out October 20th via Secretly Canadian.

It was during Eggleston’s Sumner, Mississippi childhood, where he discovered the piano in the parlor that ignited in him a lifelong passion for music. It was a passion he carried forth his entire life, playing quite adeptly when a piano was handy: improvised turns on Bach, Handel, gospel, country, and popular selections from the Great American Songbook for friends and family. Though his travels found him rubbing elbows with Andy Warhol’s Factory superstars in New York, where he lived for several years with Viva at the Chelsea Hotel, and observing a music scene in Memphis that included Big Star’s Alex Chilton, and his old friend and owner of Ardent Studios, engineer Jon Fry, his own music went largely unheard by the general public.

In the 1980’s, Eggleston, who disdained digital cameras and modernity in general, became surprisingly fascinated with a synthesizer, the Korg OW/1 FD Pro, which had 88 piano-like keys, and in addition to being able to emulate the sound of any instrument, also contained a four-track sequencer that allowed him to expand the palette of his music, letting him create improvised symphonic pieces, stored on 49 floppy discs, encompassing some 60 hours of music from which this 13 track recording was assembled.

The music, which he refers to as “Musik”, adopting the German spelling of his hero, JS Bach, is highly emotional, whether he’s improvising a Bach-like organ fanfare out of whole cloth, using a Korg patch titled “guitar feedback” to create a dirge, or playing Lerner and Lowe’s “On The Street Where You Live” as a dramatic overture.

Eggleston lives today in a small apartment off Memphis’ Overton Park that he shares with a 9-foot Bosendorfer grand piano and an arsenal of ultra-high fidelity audio equipment, some of which was designed by his son, William Eggleston III. The synthesizer, alas, is broken and stubbornly refuses to be repaired, so for the purpose of this project another was purchased in order to be able to play back the floppy discs, which, along with a handful of DATs and other digital media, though frail, were digitized and mastered for this and future releases.

Mr. Eggleston often says that he feels that music is his first calling, as much a part of him, at least, as his photography. We take special pride in allowing the world to hear this side of a great artist who may now be rightly called a great musician.

Listen to William Eggleston’s “Untitled Improvisation FD 1.10” –

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Julien Baker Announces New Album ‘Turn Out The Lights’

Julien Baker will release her highly anticipated second album Turn Out The Lights on October 27th, 2017 via Matador Records. An early preview can now be heard in first single ‘Appointments’; a viscerally moving track that culminates in a swell of Baker’s voice, guitar, and piano. Continue reading

METZ ANNOUNCE THIRD ALBUM ‘STRANGE PEACE’

METZ to release their ferocious third album, Strange Peace, on Sub Pop September 22, 2017


Listen: Cellophane
YouTube: https://youtu.be/hbaZS9ncHP0
Spotify: http://u.subpop.com/2tRcKQm

On September, 22nd METZ will release Strange Peace,an emphatic but artful hammer swing to the status quo and their highly-anticipated third full-length album. Alex Edkins (guitar, vocals), Hayden Menzies (drums), and Chris Slorach (bass) recorded at Electrical Audio in Chicago, live off the floor to tape with Steve Albini. The result is a distinct artistic maturation into new and alarming territory, frantically pushing past where the band has gone before, while capturing the notorious intensity of their live show. The trio continued to assemble the album (including home recordings, additional instrumentation) back at home in Toronto, adding the finishing touches with longtime collaborator, engineer and mixer, Graham Walsh.

“The songs on Strange Peace are about uncertainty,” Edkins explains. “They’re about recognizing that we’re not always in control of our own fate, and about admitting our mistakes and fears. They’re about finding some semblance of peace within the chaos.”

And “Cellophane,” the first song to be released from the new album, is available now. Read the full bio for Strange Peace below. Continue reading