The first signs of Transmitter came when Cut Worms were on the road supporting Wilco in the summer of 2024. At the end of the tour, Tweedy invited the band to record at the storied Loft in Chicago, and plans were soon made to commence that fall. In the Loft’s warm clutter of guitars, amplifiers, and books, Clarke and Tweedy quickly found common musical ground and a shared instinct for songs that hold complexity. While Clarke’s voice and writing formed the framework, Tweedy’s guitar and bass lines sketched the rooms the songs inhabit. Tweedy’s presence as a producer revealed itself not in heavy-handed choices but in how he colored spaces and continually offered new textures. Between them, their like-minded sensibilities bridged a generational gap to create something more nuanced than either might have made alone.
If previous Cut Worms releases were steeped in Brill Building decadence and madcap Americana, the sound on Transmitter feels darker, richer, more saturated with the anxiety of contemporary living. ‘Long Weekend’ accelerates time itself, carrying the melodic urgency of Big Star or Dwight Twilley. ‘Evil Twin’ wrestles with bitter disappointment, its talky guitars recalling the jangling heartache of The Replacements and The Go-Betweens, and ‘Windows on the World’ leans toward the sun of the future with a melancholy that drifts somewhere between Elliott Smith and Miracle Legion. Closing track ‘Dream’ brings us back to a familiar plane: Clarke alone at the piano, tender and unresolved, pondering the fate of dreams and the risk of falling short or getting lost en route.
Cut Worms – ‘Long Weekend’ (Official Video)
Cut Worms – ‘Windows on the World’ (Official Video)
Cut Worms
Transmitter
- Worlds Unknown
- Evil Twin
- Long Weekend
- Barfly
- Windows on the World
- Walk in an Absent Mind
- Don’t Look Down
- Shut In
- Out of Touch
- Dream


