Dead Oceans has announced the re-issue of Bill Fay Group’s Tomorrow Tomorrow and Tomorrow, out for the first time in its entirety on a 28-track double-vinyl, as well as a 24-track CD and digitally, on 23rd Feb, 2024. Alongside, the next installment of Dead Oceans’ Bill Fay cover series is
Read MoreBetter Oblivion Community Center, the new band from Phoebe Bridgers and Conor Oberst, recently surprise-released their self-titled debut album. The record is currently available digitally and is set for a physical release on February 22nd via
Photo credit: Nik Freitas The rumours percolating since summer on fansites, Reddit boards and Twitter were finally confirmed last night when an album entitled Better Oblivion Community Center by Better Oblivion Community Center appeared on DSPs, shortly
Durand Jones & The Indications will release their sophomore album, American Love Call, on March 1st via Dead Oceans/Colemine Records. After sharing lead single, ‘Don’t You Know’, the band returns with the
On March 22nd, Strand of Oaks (Timothy Showalter) will return with his 6th album, Eraserland to be released via label Dead Oceans. The album features the lead single, ‘Weird Ways‘ out today. On
Phoebe Bridgers today shared the music video for ‘Killer,’ a song featured on her acclaimed 2017 debut album, Stranger In The Alps, as well as the first song she ever released as
Phoebe Bridgers today released her cover of McCarthy Trenching’s ‘Christmas Song,’ featuring vocals by Jackson Browne. The wistful, melancholy track is now available via all DSPs, and can be heard below. Of the cover,
(photo by Rosie Cohe) “Is it any wonder that y’all about to blow up!” – Robin Roberts, Good Morning America “…I can attest that witnessing Jones live is very much akin to
LUMP is the collaborative project from Laura Marling, the Grammy-nominated, BRIT award-winning singer-songwriter, and Mike Lindsay, the founding member of Tunng and Throws, and a prolific, Mercury Prize-winning producer. Their highly acclaimed self-titled debut was released
For the first several years of his career, Ryley Walker kept a key component of his musical core a deep secret. While cementing his reputation as one of his generation’s most exquisite
“Mitski’s composure means that even the smallest ripple of expressiveness in her voice can hit like an earthquake.” – New York Times Magazine “[Be the Cowboy,] the fifth album from the singular