Photo Credit: Kelsey Hart
IAN SWEET, the project of LA’s Jilian Medford, has released ‘Holographic Jesus,’ the third and final single from her anticipated new album, Crush Crusher. Stereogum, who premiered the self reflective and emotionally analytical song today is calling it “larger-than-life.” The song tackles many of the album’s central themes, like the internalized pressure to become a caretaker in close friends’ lives.
Of the song, Medford says ‘”‘Holographic Jesus’ is a song based around collecting holographic Jesus posters from various bodegas and dollar stores while living in Brooklyn. I am in no way religious but I hung them up all over my room and was constantly finding the nuances and idiosyncrasies of each one. You could turn your head the slightest and see an entirely different image reflected. I felt connected to that idea. Some people collect ceramic frogs or action figures but I collect holographic Jesus posters. This song is about the things I went through in that room while these posters were so to speak ‘watching over me.'”
Crush Crusher is available for pre-order now and due out October 26th via Hardly Art.
WATCH VIDEOS FOR THE ALBUM’S PREVIOUS SINGLES “HIDING” & “SPIT“
PRAISE FOR IAN SWEET:
“As IAN SWEET, Jilian Medford dabbles in the depths of anxiety and attempts to find something beautiful along the way… Crush Crusher finds the singer/guitarist at her most dissonant, mutating the sound around her to feel like it’s traveled miles to get to her listener.” – Pitchfork
“Some of her most emotionally intimate creations to date.” – The FADER
“Emotionally complicated music that offers no easy answers… a heavy, gnarled exploration of self-sabotaging relationships.” – Noisey
“Kinetic in a way that her previous work has only hinted at… It’s always exciting to hear an artist release their best work yet, and that’s exactly what Ian Sweet is doing on ‘Hiding.'” – UPROXX
ABOUT IAN SWEET:
In writing Crush Crusher, Medford committed herself to exploring her own issues with self-image, self-respect/worth, and the responsibility she has felt to others. Album opener “Hiding” was one of the first songs she wrote for the record while living in a frigid Brooklyn apartment during a winter break amidst her grueling tour schedule. In the song, Medford reflects on an interpersonal relationship that fell apart because of an inability to feel supreme comfort in sharing all the pieces of herself with someone. Nevertheless, a hopeful demeanor shines through on “Hiding” and in her writing across the album, with lyrics that embrace life’s hurdles and make them feel a little less scary.
Much of Crush Crusher‘s songs deal with Medford’s internalized pressure to become a caretaker in many of her close friends’ lives. As a defense mechanism for her own insecurities, Medford projects a sense of invincibility and benevolence to feel more deserving of the love received from others; we hear this on “Holographic Jesus” when she repeats the phrase “the sun built me to shade everybody,” characterizing the sacrifice and responsibility she feels in ways that could easily go unnoticed. “Holographic Jesus” ultimately represents a façade of strength that Medford has clung onto and, in true Taurus fashion, is stubborn to let go of.
Musically, Crush Crusher is full of dissonant open chords and abnormal progressions, finding beauty in a level of conflict not seen on Shapeshifter. To help achieve this expansive-but-focused sound, Medford enlisted the help of someone who was just as ambitiously experimental in their approach, producer and engineer Gabe Wax (Deerhunter, The War on Drugs, Soccer Mommy). Medford and Wax set up shop at Rare Book Room studios in Greenpoint, Brooklyn, and completed the basic tracking with musicians Simon Hanes on bass and Max Almario on drums. “Coming into a space where some of my biggest inspirations like Bjork, Dirty Projectors, and Deerhunter had all once also recorded, I felt determined to push myself and test every boundary that I may have subconsciously created along the way. Gabe made me feel comfortable with attempting anything,” Medford says. By the end of the recording process, IAN SWEET wound up with an unconventional assortment of songs featuring disparate elements of psych-rock, trip-hop, and shoegaze that together forged a sound uniquely her own.
Crush Crusher‘s closing track “Your Arms Are Water” serves as a thematic reprise for the whole album, telling the story of an inspiring relationship in Medford’s life that was drowning in doubt. The song’s nuanced perspective captures the record’s thesis-that to escape your misery sometimes requires accepting your imperfections. Such compassionate and densely-realized observations make Crush Crusher more nourishing food for thought for fans of IAN SWEET.
IAN SWEET
CRUSH CRUSHER
HARDLY ART
OCTOBER 26, 2018
PRE-ORDER
1. Hiding
2. Spit
3. Holographic Jesus
4. Bug Museum
5. Question It
6. Crush Crusher
7. Falling Fruit
8. Borrowed Body
9. Ugly/Bored
10. Your Arms Are Water
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Twitter @iansweetweet | Instagram @ian_sweeeeet
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