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RUTHVEN new single ‘Don’t Keep It To Yourself’ out now via Paul Institute

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6 mins read

Today Ruthven releases his new single ‘Don’t Keep It To Yourself’, the first standalone single on label Paul Institute.

Having released previous singles ‘Have You Decided?’ and ‘Hypothalamus/Evil’ as part of Jai and A.K Paul’s Paul Institute ‘drops’, Ruthven gets the chance to be the first artist on the label to be given the full spotlight and bask in the glow.

Speaking on the track, Ruthven says “’Don’t Keep It To Yourself’ is about your ‘someone’ confiding their secrets with you & you enjoying… and perhaps being kind of spurred on by what you’re hearing. Bedroom feels.” This lyrical inspiration is certainly as amorous as the track itself, a slinky number that’s sure to raise the temperature and lower your pulse rate.

Ruthven – ‘Don’t Keep It To Yourself’ (Lyric Video)
Listen / Download: 
https://ruthven.ffm.to/dontkeepit

ABOUT RUTHVEN

During his time as a member of the London Fire Brigade, Ruthven aka Sean Nelson, had two lockers. In one would be the essentials for a long shift on call; toiletries, fresh clothes, a sleeping bag, and in the other were the Ruthven essentials, namely a guitar and keyboard. During downtime he was determined to make the most of the long hours awaiting a call out. It was during this time, when the truck was fully serviced and his breathing equipment was ready for the next job, that the majority of Ruthven’s music was written. He would work out ideas while his colleagues watched TV or caught up on sleep, setting up shop in various stations around the city and setting to work on his next tune. The reality of this unlikely situation is one purely born of circumstance but that’s not to say that he doesn’t see some connective tissue between helping the community and being of help to individuals. “Music can be a healing thing and I’m fully up for being a healer,” he says. “It’s not just about performance, I want to help people with their emotions.”

Prior to joining the Fire Brigade, Ruthven’s life had revolved around music. Raised by his mother as a single parent, he would join her as she gave piano lessons around Catford, south east London, where he grew up. He learned to play drums himself when one student’s father offered to exchange his skillset as a drummer in return for piano lessons. Age 19 and keen to give back to his community he joined the Fire Brigade. Not long after he got married and started a family, leading to the decision to put music to the side in order to spend quality time raising his sons and being a good husband to his wife. Leaving music behind entirely didn’t quite work, though, and he began playing again a few years later when a friend offered him gigs in wedding bands and at other similar functions. Coming back to making music was perhaps inevitable, given that the majority of relatives are musicians too. “I was an outlier in my family getting a ‘proper’ job,” he laughs. “I just realised I was more stressed with music not being a part of my life,” he says looking back. Around this time he downloaded Logic and began teaching himself to produce music. Happy with his early efforts, he sent some demos over to Jai and A.K. Paul who were impressed and offered to release his music. In 2017 the Paul Institute released the debut Ruthven single ‘Evil’ and he was a musician once again.

It’s not just helping him release music that he credits to the Pauls, the enigmatic siblings reinvigorated his enthusiasm for contemporary music at a time when it was faltering. “They showed me that modern music isn’t bland and watered down,” he says. “They were putting out music in a cultivated way and it sounded fresh.” Ruthven’s songs work on a similar basis. By taking the DNA of timeless hits from the past and filtering them through a modern lens his music is neither retro by design nor disposable efforts to keep up with the times. “The fact that I love music from the 70s and 80s, things like Marvin Gaye, Kool & The Gang, isn’t because I’m stuck in the past. It’s just that the music is so strong. I want to take the best things from the history of music and use them in a modern way,” he says, explaining his philosophy.

http://www.paul-institute.com

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