JENNY HVAL
IRIS SILVER MIST
CD /LP /INDIE LP
[CD] 01. Lay down / 02. To be a rose / 03. I want to start at the beginning / 04. All night long / 05. Heiner muller / 06. You died / 07. Spirit mist / 08. I don’t know what free is / 09. The artist is absent / 10. Huffing my arm / 11. The gift / 12. A ballad / 13. I want the end to sound like this
[LP] A1. Lay down / A2. To be a rose / A3. I want to start at the beginning / A4. All night long / A5. Heiner muller / A6. You died / B1. Spirit mist / B2. I don’t know what free is / B3. The artist is absent / B4. Huffing my arm / B5. The gift / B6. A ballad / B7. I want the end to sound like this
Label: 4AD
Iris Silver Mist is named after a fragrance made by the nose Maurice Roucel for the French perfume house Serge Lutens. It’s described as smelling more like steel than silver. It is cold and prickly, soft and shimmering, like stepping outside on an early, misty morning, your body still warm from sleep. A perfume, with its heart notes and scented accords, shares its language with music. Both travel through air, simultaneously invisible and distinct.
Rather than begin with music, Iris Silver Mist began with the absence of it. As the pandemic led to no live music, the smell of cigarettes, soap, and the sweat from warm stage lights and shared bathrooms was replaced by unphysical, algorithmic listening at home. Suddenly, and for the first time since she was a teenager, Hval found herself growing interested in perfumes. Smelling, reading, collecting, writing—she immersed herself with scent while her music was put on hold. It took her a year to understand what was happening, until she did: she was seeking another way of sensing physical intimacy. Where music had turned into a void, she filled it with fragrance.
Iris Silver Mist is very sensual, tactile and intimate—touching you as smells, sounds, and images do when they multiply. During a series of performances last year titled I want to be a Machine, Hval performed many of the tracks on Iris Silver Mist for the first time, before they’d been recorded, and surrounded by rice cookers, filling the songs with the misty smell of rice. Starting the album with a performance was quite an unusual approach—and it was also an intimate one. Emphasising the importance of the physical and live elements of music, these songs held the experience that was lacking in Hval’s life for so long.
Available on indie exclusive ‘Northern Light Pearl’ vinyl.
CAR SEAT HEADREST
THE SCHOLARS
CD /2LP
01. CCF (I’m Gonna Stay With You) / 02. Devereaux / 03. Lady Gay Approximately / 04. The Catastrophe (Good Luck With That, Man) / 05. Equals / 06. Gethsemane / 07. Reality / 08. Planet Desperation / 09. True/False Lover
Label: MATADOR
The first studio album from Car Seat Headrest in five years, ‘The Scholars.’
From Shakespeare to Mozart to classical opera, Car Seat Headrest’s Will Toledo pulled from the classics when devising the lyrics and story arc of ‘The Scholars,’ while the music draws, carefully, from classic rock story song cycles such as The Who’s ‘Tommy’ and David Bowie’s ‘Ziggy Stardust.’ “One thing that can be a struggle with rock operas is that the individual songs kind of get sacrificed for the flow of the plot,” Toledo notes. “I didn’t want to sacrifice that to make a very fluid narrative. And so this is sort of a middle ground where each song can be a character and it’s like each one is coming out on center stage and they have their song and dance.”
While Car Seat Headrest started as Toledo’s solo project, the four-piece is now fully a band. “What we’ve been doing more of in recent years is just taking the pulses of each other.” says Toledo. “It didn’t really feel to me like things got in sync in an inner feeling way until this record, with that internal communal energy. And it’s become that band feeling for me in a much more realized way. That’s been a big journey.”
It is a journey that listeners will want to embark on again and again as they absorb and discover the rich depths and clanging resonances of ‘The Scholars.’
Gatefold vinyl with 28-page booklet.
LAEL NEALE
ALTOGETHER STRANGER
CD /LTD LP
01. Wild Waters / 02. All Good Things Will Come To Pass / 03. Down On The Freeway / 04. Sleep Through The Long Night / 05. Come On / 06. Tell Me How To Be Here / 07. New Age / 08. All Is Never Lost / 09. There From Here
Label: SUB POP
Lael Neale’s minimalist drone pop draws inspiration from the Transcendentalists, the alienation of modern life, and a rich array of musical influences—ranging from Dionne Warwick and John Lennon to primitive American gospel and Spacemen 3.
Her expansive new record, Altogether Stranger, was written and recorded in the early morning quiet of Los Angeles. Clocking in at just 32 minutes, the 9-song LP covers an unexpected breadth of musical and lyrical terrain—from garage rock nursery rhymes and creation myths to Motorik dance dirges and solitary Omnichord meditations. A brilliant lyricist, Neale has a unique ability to uncover the extraordinary within the mundane, tackling themes of polarity that recur throughout her work—country vs. city, humanity vs. technology, isolation vs. society. This album is her third collaboration with producer Guy Blakeslee who helps expand the tonal palette while staying true to Neale’s commitment to the raw immediacy and hand-made intimacy of home recording. Altogether Stranger – a stunning album filled with dreamlike reverie, Neale’s crystalline voice, and echoes of the Velvet Underground – was conceived after four years of oscillating between rural solitude and urban chaos. It finds Neale perched at the piano in a hilltop bungalow, looking down on a rare curve of Sunset Blvd. Here, in this daily ritual of writing, singing, and painting—what David Lynch referred to as “the Art Life”—she creates the space for her most adventurous work to date.
Born and raised in Virginia’s idyllic countryside, Neale brought the high-lonesome sound of her home state with her when she moved to California to pursue music. After years of writing songs on guitar and playing small venues in Los Angeles, she discovered the Omnichord in 2019, which sparked a new creative direction. This led to her 2021 Sub Pop debut album, Acquainted With Night. That album’s 2023 follow-up, Star Eaters Delight, deepened the collaboration with Blakeslee, infusing minimalist soundscapes with a heightened electric energy. The album found a devoted audience, and Neale’s subsequent tour included sold-out shows in Los Angeles, New York City, London, and Paris, multiple trips across Europe, and a West Coast run supporting kindred spirit Weyes Blood. This marked yet another return to Los Angeles.
Indeed, Los Angeles is not just the backdrop of Altogether Stranger but a lead character. The album’s accompanying film – created with Neale’s faithful Sony Handycam – builds on her ongoing series of videos, telling the story of Neale as an alien in a suit of mirrors stranded on Earth. Wandering through modern-day LA, she finds both absurdity and beauty in our fragile, untenable way of life. Over the long year it took to write Altogether Stranger, Neale vacillated between childlike optimism and existential melancholy. While she may not have been able to reconcile these opposing states, Altogether Stranger represents an ambitious breakthrough for this singular, self-sufficient artist.
First pressing on limited ‘Loser Edition’ Lavender coloured vinyl.
MANTECA
RITO Y SABOR
CD / LP
01. Rumbon en Casa de Cando / 02. Afro Funky / 03. Sabor A Mantecado / 04. Abacua / 05. Son Montuno / 06. Cosas de Manteca / 07. Gozando el Timbal
Label: MR BONGO
Reissue of the sought-after 1978 album ‘Ritmo Y Sabor’ from Cuban, master bongo player, Manteca. A deep, hypnotic, sonic excursion of Afro-Cuban/mambo rhythms to get lost within. Released in 1978, there are a number of different pressings of the album coming out on labels including GRC, Desca Records and Sound Triangle Records. Stripped-back and low-fi, this is a pulsating hit of instrumental Latin-jazz dance magic.
Predominantly made up of just percussion and bass, the album comes courtesy of Carlos “Rico” Ramirez on bass, Carlos Patato on congas, timbales by Nelson Padron and Lazaro Pla aka Manteca as band leader. A Cuban legend, Manteca rose to fame playing with Ernesto Lecuona and the Cuban Boys. Although he featured on numerous recordings in his home of Cuba, only a handful exist of his as featured soloist or band leader.
A whirlwind of percussive brilliance, ‘Ritmo Y Sabor’ is brimming with energy regardless of the tempo of the track. An instantaneous ability to make you move, the grooves come alive with each new rhythm introduced. Take for instance, the track ‘Afro Funky’ that more than lives up to its name. A breakbeat Latin-funk workout, with a mighty fine walking bass line that provides the basis for the drummers to vibe off. Elsewhere, ‘Rumbon En Casa De Cando’ is fast and furious perfect for the jazz dance specialist, whilst ‘Sabor A Mantecado’ keeps you on your toes with its trance-like repetitive bassline and percussive interplay. ‘Cosa De Manteca’ is another heavy-Latin funk gem with a rough and raw feeling of relentless yet groove-driven percussion.
A must-have Afro-Cuban, rhythmic funk triumph, that shows Manteca and his band in full flight.
