“Like Sharon Van Etten and Angel Olsen? Then get ready to fall head over heels in love with Los Angeles’ Phoebe Bridgers.” – NME To coincide with this announcement a handful of further tickets are being made available for purchase. Be quick for these unmissable shows! Tickets on sale now via TICKETMASTER The National have
Read MoreToday, Big Thief have shared a captivating new single, ‘Born For Loving You’. Recorded and produced by Dom Monks at Guissona, Spain’s Teatre de cal Eril Studio on a recent tour, ‘Born
Helado Negro has announced his new album Phasor scheduled to be released on 9 February 2024. The eighth full-length album in Helado’s catalogue follows his critically acclaimed 2021 album Far In. The announce comes with
‘Dreaming’ is taken from The National’s new album ‘Laugh Track’ out now, via 4AD: https://thenational.ffm.to/laughtrack AND of course they are coming back to Aotearoa early 2024!!! Tickets on sale now HERE The
The Guardian 4/5 “A moment of intense, acidic awakening that feels like a fresh start” The Independent 4/5 Line of The Best Fit 8/10 “The National’s best album in ages, Laugh Track is
from Last Splash (30th Anniversary Original Analog Edition) Out This Friday Today, The Breeders release a track from their upcoming reissue of Last Splash (out on Friday), ‘Divine Mascis’, a never before heard version of ‘Divine
The National has released a surprise second album of 2023, Laugh Track, which the band announced Friday night while performing at its Homecoming Festival in Cincinnati. The 12-song Laugh Track is a companion to and features
Today, Big Thief have shared a captivating new single, ‘Born For Loving You’. Recorded and produced by Dom Monksat Guissona, Spain’s Teatre de cal Eril Studio on a recent tour, ‘Born For
Praise for The King “An innovative examination of distorted American life.” – Uncut 8/10 “A record of cold, hard truths.” – Loud and Quiet 7/10 “The inventive nature of Anjimile is really fascinating.” – NPR Music
The 1990 debut album from Pale Saints, The Comforts of Madness, is an outstanding record that owed as much to post-punk and L.A.’s Paisley Underground scene than it did to shoegaze. The
Praise for The King “A bold, spiralling slice of soulful noise, offering pop at its most abstract yet still tethered to sumptuous melody… an extraordinary return.” – Clash “The inventive nature of Anjimile is really