Clocking in at barely over two minutes, Danny Elfman has released “Kick Me” today, a swift and pummelling new track with lyrics that simultaneously dismiss and seek approval from their audience. Directed by Petros Papahadjopoulos and featuring animation by Joe Pascale, the song’s new video features Elfman – utilising inverted
Read MoreWaxahatchee shares ‘365,’ the latest from her highly anticipated upcoming album, Tigers Blood, out March 22nd on ANTI- Records. The song, which features a phenomenal vocal performance, is released alongside a gorgeous
How do you engage the evocative gift that is Moor Mother’s latest album The Great Bailout? Only by following the trail of verbal and sonic poetry delivered. Only by letting Moor Mother
A cover originally written and performed by Ethiopian artist and activist Ali Mohammed Birra, Leyla McCalla has shared her Tropicalia-inflected version of ‘Love We Had’ today. Serving as an African Diasporic declaration of
Moor Mother aka Camae Ayewa announced her new album ‘The Great Bailout’ last month, a body of work that explores the atrocities of British slavery, including how it was paid for and
Waxahatchee shares ‘Bored,’ the new single from her highly anticipated new album, Tigers Blood, out March 22nd on ANTI- Records. The song comes with a rollicking video shot at Devil’s Backbone Tavern
Nashville’s Madi Diaz celebrated her new album, Weird Faith, last Friday with a release day debut on The Tonight Show Starring Jimmy Fallon. Backed by Allison Crutchfield (guitar, backing vocals), Brian Betancourt
Born in New York City to Haitian emigrants and activists, Leyla McCalla possesses a stunning mastery of the cello, tenor banjo and guitar and, as a multilingual singer and songwriter, has risen
On her second album ‘Blue Raspberry’ – out now – the New York-based songwriter Katy Kirby dives headlong into the artifice of intimacy: the glitter smeared across eyelid creases, the smiles switched
In seventy seconds, Glitterer’s latest track ‘The Same Ordinary’ quickly unleashes high-impact musical gestures and grapples with purpose. The song is their last offering before unveiling their fourth LP and full band debut,
Coming out on March 9, The Great Bailout is Moor Mother aka Camae Ayewa’s ninth studio album and third with ANTI-Records, with production contributions on various tracks from Mary Lattimore, Lonnie Holley,