Swedish experimental pop musician and producer Thea Gustafsson (aka Becky and the Birds) shared her self-produced debut album, Only music makes me cry now, in November 2024. After recently being named Producer of the Year at the 2025 Swedish Grammis, she now returns a new track entitled ‘Should’ve known better
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Swedish musician Thea Gustafsson – who writes, records, and produces under the moniker Becky and the Birds – has recently turned a new leaf, entering an era of creative freedom and emotional
Becky and the Birds, the moniker of Swedish songwriter and producer Thea
Swedish musician Thea Gustafsson – who writes, records, and produces under the
Swedish experimental pop musician and producer Thea Gustafsson (aka Becky and the Birds) shared her self-produced debut album, Only music makes me cry now, in November 2024. After recently being named Producer
Swedish musician Thea Gustafsson – who writes, records, and produces under the moniker Becky and the Birds – has recently turned a new leaf, entering an era of creative freedom and emotional
Swedish musician Thea Gustafsson – who writes, records, and produces under the moniker Becky and the Birds – has recently turned a new leaf, entering an era of creative freedom and emotional
Swedish musician Thea Gustafsson – who writes, records, and produces under the moniker Becky and the Birds – has recently turned a new leaf, entering an era of creative freedom and emotional
Becky and the Birds, the moniker of Swedish songwriter and producer Thea Gustafsson, returns with the release of new single and video ‘When She Holds Me’. The new track is a first
Becky and the Birds, the moniker of Swedish producer Thea Gustafsson, releases new single ‘Paris’ today. Her third single for 4AD, Gustafsson’s multi-layered falsetto slowly winds itself into a minimal lovelorn ballad.
‘Wondering’, is the woozy second single from Thea Gustafsson’s project, Becky and the Birds. Released today via 4AD and alongside visuals directed by Danica Arias Kleinknecht, ‘Wondering’ is a poetic lament charting a deeply sorrowful
‘Do U Miss Me’ is a clarion call for empowerment, a far cry from Gustafsson’s self-released eponymous EP from 2018 which came from a place of vulnerability and insecurity. Born in the