Danny Elfman has teamed up with Ghostemane to release a brand new remix of “Native Intelligence (Featuring Trent Reznor)” – the newest taste of Elfman’s forthcoming album Bigger. Messier. arriving on August 12th, 2022 via ANTI- / Epitaph Records. The remix serves as a reimagining of Reznor’s version of the
Read More“IT’S POETRY THAT DRIVES THIS ALBUM – THE STORIES OF THESE ARTISTS AND COUNTLESS OTHERS NOT NAMED BUT FELT – IS THE LEADING MOTIVATION. I WANTED TO HONOR & GIVE OFFERINGS – HOLD
NNAMDÏ, the multi-instrumentalist, songwriter, and one of Chicago’s most beloved indie musicians has announced a new album Please Have A Seat available October 7th via Secretly Canadian / Sooper Records, his first
Danny Elfman has announced Bigger. Messier. – a brand new genre-defying album of remixed and reimagined versions of songs from his acclaimed 2021 record Big Mess. Comprised of collaborations and guest vocal
Today, Baltimore/D.C. post-hardcore band Pianos Become The Teeth share their latest single and music video “Skiv” from newly announced album ‘Drift’ out on August 26th. As the follow up to lead single
Punk rock lifers Beach Rats share a new single titled ‘Blown To Bits,’ the third and final tease from upcoming thrasher of a debut album Rat Beat, out on July 29th via Epitaph Records.
“…bedroom pop with razor blades under the floorboards” – FADER “Artists like Grimes and Lady Gaga are touchstones for the sonic and visual stylings of sophie meiers” – Billboard “A young
Los Angeles band, The Interrupters, have released their hard-hitting new song ‘Jailbird.’ Documenting lead vocalist Aimee Interrupter’s personal battle with mental health, the anthemic single marks the group’s third release pulled from
Brooklyn pop-punk trio THICK return with the announcement of their forthcoming new album, Happy Now. Working again with producer Joel Hamilton (Iggy Pop, Juiceboxxx) and recorded at Studio G Brooklyn, the LP
A stunning blend of jazz, hip-hop and soul, Moor Mother’s “Rap Jasm” shifts from the noise-inflected sound of her previous albums and towards R&B sweetness. Across the new project, Camae uses free jazz
“as if Taking Back Sunday had attended the Guided By Voices school of songwriting,” NYT on ‘Gotta Let It Go’ “a hooky, straightforward rock band that can’t seem to miss, with a