Today Interpol release their next installment of new music – the impeccable ‘Fables’ – taken from their brand new record ‘The Other Side Of Make-Believe’, released July 15th on Matador. Listen here; The new track follows the band’s well-received first two songs from the record, ‘Toni’ & ‘‘Something Changed’– which
Read MoreToday, bar italia – the London trio of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton – release their new album Tracey Denim digitally and on CD via Matador / Remote Control alongside focus track ‘changer’. The album will be available on vinyl everywhere on September 8. Tracey
Praise for Spoon “One of the finest bands of their generation” – The Guardian “One of America’s sharpest bands” – The Times “Astounding talent for constructing nervy, whip-smart guitar music” – The FADER “Not many bands can make
Queens of the Stone Age have announced their long-awaited 8th studio album, In Times New Roman… out June 16th on Matador. In Times New Roman… is raw, at times brutal and not recommended for the faint
“One of the brightest and coolest acts in America right now” – Paste “Rachel Brown and Nate Amos make music that’s architecturally bizarre, welded together from sunny tunes and surreal poems, brain-battered
Praise For Lifeguard “… thrilling and deafening rock that lives somewhere between timeless andcontemporary” – NME “Lifeguard blitzed our senses” – Stereogum “Abrasive, sprawling, and strangely hooky, best experienced with the volume cranked up”
Praise for The Other Side Of Make-Believe “Quietly Masterful” – MOJO “Some of the boldest, most uncompromising work of their career” – Clash “A confident, rewarding and subtly adventurous new chapter” – NME Interpol have announced Interpolations, a project to
“narcotically arresting” – Pitchfork “a sound that pulls the ear close in a swirl of whispery vocals, opaque poetry and tight, art-rock instrumentals” – NPR “jangly guitars, pop melodies, and a discernable
In 2023, Kurt Vile is making numbers count. Just last month, Matador Records presented the iconic Philadelphia songwriter with a (vegan) cheesesteak trophy to commemorate the 100-millionth stream of ‘Pretty Pimpin‘ on Spotify. Today, though, we’d like to draw
“Rachel Brown and Nate Amos make music that’s architecturally bizarre, welded together from sunny tunes and surreal poems, brain–battered rock and suspenseful orchestrals.” – Pitchfork on “Barley” (Best New Track) “A playground
“On the sprawling, multilayered Shook, Algiers kicks its own doors open even further, using the studio to transform the band into something like a commune.” – New York Times ‘Critic’s Pick’ “Shook’ evokes