Today, Aldous Harding releases ‘Fever’, the second single from her forthcoming new album Warm Chris. Accompanying the song’s swaggering piano-driven staccato is an official video created by Harding and Otautahi’s Martin Sagadin showcasing the many faces of one of New Zealand’s favourite performers. “As with all things Aldous Harding, it’s
Read MoreYuno has directed an official video for his reworked single ‘Sunlight,’ which is now available in its new form through all DSPs today via Sub Pop. The ‘Sunlight’ single is an ode to
Dude York by ELEANOR PETRY Seattle trio Dude York have returned, announcing their new full-length Falling – their tribute to adolescent romance and the pop-punk that proliferated on the FM radio wavelengths of yesteryear. To celebrate the
Hannah Rodgers, the mastermind behind Pixx, releases a third single ‘Andean Condor’ from her forthcoming album, Small Mercies (out 7th June via 4AD / Rhythmethod). A tongue-in-cheek album opener, she muses
Destroyer out May 24th via Jagjaguwar Photo Credit: Olivia Jaffe Black Mountain shares a new single, ‘Licensed To Drive,’ from their forthcoming album, Destroyer, due May 24th via Jagjaguwar. Following the “spacey,
Photo Credit: Piper Ferguson Today, Calexico and Iron & Wine share the gorgeous second single from their upcoming album, Years to Burn, entitled ‘Midnight Sun’. In ‘Midnight Sun’, Calexico’s Joey Burns and Sam
Photo credit: Boris Camaca Holly Herndon brings the full force of her vocal ensemble to the fore with new single ‘Frontier’ and accompanying visuals by Darío Alva. An interpretation of Appalachian Sacred Harp
Loving Echoes is the first solo album by New Zealand recording artistScott Mannion, co-founder of Lil’ Chief Records (Jonathan Bree, Princess Chelsea, the Ruby Suns) now living and recording in a medieval mountain pueblo in Spain.
Photo credit: Graham MacIndoe L to R: Bryce Dessner, Mike Mills, Scott Devendorf, Aaron Dessner, Bryan Devendorf, Matt Berninger The National recently announced their eighth studio album I Am Easy To Find
Following ‘Cattails’ and ‘UFOF’, ‘Century’ finds the band at the height of their powers as musicians, with bassist Max Oleartchik seamlessly intertwining with James Krivchenia’s effortless and inventive drumming. On top of it all, Adrianne Lenker’s evocative storytelling
photo by Anthrox Studio black midi, the enigmatic London-based four-piece that “are less interested in proving themselves the future of indie rock than in imagining indie rock from the future” (Pitchfork), today