Today New York-based, Peruvian-born artist Daniela Lalita releases her debut single and music video for ‘Tenía Razón,’ out now on Young. Written, produced (with co-production from Sega Bodega) and directed by Lalita, it’s a bold debut for the multi-hyphenated artist whose practice spans music, costume design, film, performance and fine art.
Read MoreDry Cleaning are delighted to announce details of their debut studio album and have shared a new single ‘Strong Feelings’. The South London group of Nick Buxton (drums), Tom Dowse (guitar), Lewis
Jesswar, a proud Fijian rapper who currently creates on Yugambeh/Kombumerri land, releases her new single ‘Medusa’, which was given its first spin by triple j on Monday night. The track follows the
Last fall, Gabriel Garzón-Montano released his new album, Agüita, a collection of “tender acoustic ballads, silky R&B performance, and contemporary urbano swagger” (Pitchfork), via Jagjaguwar. The album was met with praise by
Named after the feeling of “shimmering on the skin when you’re physically close to the person you love,” Sheep, Dog & Wolf’s new single combines exquisite fingerpicked guitar and clipped percussion to
Expression becomes its most potent under floodlight. At least, it does in ‘Body Rhyme’,Ben Woods’ latest release since his debut album, PUT (2018). On ‘Body Rhyme’, Woods moves into expansive territory, with
Buffalo-based hardcore heroes Every Time I Die share new single and animated lyric video ‘AWOL‘. The Buffalo, New York band have been forging their own musical path for over 20 years. Since
Julien Baker has shared another single from her forthcoming album Little Oblivions by way of a new single, ‘Favor’. The track follows up Baker’s previously released singles, ‘Hardline’ and ‘Faith Healer’. Fans
Helen Ballentine – who records as Skullcrusher – is quietly, but firmly, securing her position as one of the country’s most exciting young songwriters. Her June 2020 debut EP, a collection of
Multi-talented, lo-fi hip-hop rapper, Indii G shares his new single “Drifting.” The vibey lo-fi hip-hop track featuring minimalist guitars and soulful melodies, demonstrates Indii’s keen ability for producing bedroom indie pop hits.
As Hardcore began to peter out in 1992, Richard Russell delivered one of the rave era’s defining remixes – Kicks Like A Mule’s 1992 version of Awesome 3’s “Don’t Go”. Earlier this