“Best-solo album…Bright November Morning does feel like a new dawn for the Don.. the great storyteller of New Zealand music” – Russell Baillie, NZ Listener “It’s a marvel…Being able to articulate the complex relationship between people and place, fear and beauty, freedom and risk, memory and hope in a few
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“I wish I could get to one of the gigs, because it’s a really enjoyable record I imagine translates to a beautiful, thoroughly immersive live experience. Lo-fi aesthetics belie high-calibre melodic interplay,
“Warm Chris is a kind of pop apotheosis…confirms her place as a
The group plays deeply emotional deconstructed post-rock with heavy doses of orchestral
Reviews Pitchfork Review (7.4/10) – https://pitchfork.com/reviews/albums/a-savage-several-songs-about-fire/ “ the acoustic songs and electric rave-ups alike are simple and sturdy, anchored by his guitar and
“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real
The Guardian 4/5 “A moment of intense, acidic awakening that feels like a fresh start” The Independent 4/5 Line of The Best Fit 8/10 “The National’s best album in ages, Laugh Track is
“One of the year’s best pop records” – Wall Street Journal “Extraordinary, winning songs from The xx vocalist” – NME ★★★★★“An eleven strong homage to an unforgettable era, but it’s Romy’s autobiographical candour that adds a depth
Praise for Cumgirl8: ‘phantasea pharm, a six-track collection of gothic pop and scuzzy dance-punk studded with horny prose. Like their titillating outfits, phantasea pharm is fun and eye-catching’ – Pitchfork ‘The genre-splicing offering fuses powerhouse post-punk,
The songs of Haunted Mountain were written in mountains: by cold springs in the Serra de Estela of Portugal, on the submerged volcano of Milos in the Cyclades, Valle Onsernone in the
Praise For Lifeguard “Terrific debut” – The Guardian “… thrilling and deafening rock that lives somewhere between timeless and contemporary” – NME “Lifeguard blitzed our senses” – Stereogum “Loud in a smart, subversive way” – Chicago Reader “A band
Praise for ‘The King’: “Beautiful.” – ‘Father’ Single (29 June ‘23) – Clash “A beautifully layered vocal introduction whips up into an excoriating hurricane of anger.” – SNACK Magazine “If Giver Taker was an album
“he finds transcendence in apocalyptic imagery and beauty in terror…the vision is wholly Holley’s, and the music is his signature ambient-soul: half-spoken, half-crooned, built on pillowy keyboards but almost uncomfortably intense and
“Once the interlopers for certain pop music gone horribly wrong but just what the UK (and the world around it) needed; now the well-known band with a Best Of under their belt