Today New York-based, Peruvian-born artist Daniela Lalita releases her debut single and music video for ‘Tenía Razón,’ out now on Young. Written, produced (with co-production from Sega Bodega) and directed by Lalita, it’s a bold debut for the multi-hyphenated artist whose practice spans music, costume design, film, performance and fine art.
Read MoreRadiohead suprised everyone and took to the stage at Glastonbury! There is no official footage yet, but don’t worry – fans filmed the entire set via a number of different angles/mobile phone
SBTRKT also took to the stage as part of iTunes Festival last week. Check out some of the set below!
During a session at Radio 1, The Horrors covered the theme song to the 1971 Michael Caine film Get Carter. Listen now:
Iron & Wine released their fourth album, Kiss Each Other Cleanthrough 4AD/Rhythmethod in January 2011. Somewhat of a departure from earlier recordings and representing an expansion of the ideas explored on last album
Friendly Fires took to the stage last night for performance as part of the iTunes Festival. You can stream their entire set by logging into iTunes now. Here is a little snippet from
New Seiji Remix of Friendly Fires – Hawaiian Air ……. chair dancing – go ornn.. ya know ya wanna…! And a wee reminder the fellas are the musical guests on The Graham
On the 25th anniversary of Throwing Muses debut album release, 4AD are issuing the first ever compilation of the bands work, simply entitled Anthology, on September 5th 2011. Founded by step sisters Kristin Hersh
Inc., the music of LA-based brothers Andrew and Daniel Aged, have just made ‘Millionairess’, the second track from their debut EP for 4AD, available to download for free. Get the track from
Pantha has waved his techno wand over Miracle Fortress’ track ‘Raw Spectacle’. Grab it here fromXLR8R’s website or the audio player on the Rough Trade website! The original can be found on
The official music video for Kurt Vile’s ‘Baby’s Arms’ from Smoke Ring For My Halo was released last week. Directed and filmed by Todd Cole the video was entirely shot on a mobile