New Orleans no-wave punks Special Interest are sharing their first music on Rough Trade Records today, a dynamic new track called “(Herman’s) House” which comes with a video directed by Special Interest and Juicebox Burton, co-founder of Studio Lalala alongside vocalist Alli Logout. “(Herman’s) House” will be released on a
Read MoreTHIS IS THE KIT PERFORM LIVE ON ‘TINY DESK’ Effortless storytelling is at the heart of This Is The Kit. And the stories the band’s only permanent member, Kate Stables, weaves are profound
SHARE NEW TRACK ‘SCREAM’ LISTEN HERE : http://rtrecs.co/scream “Goat Girl are ready to turn indie music on its head And rip its guts out” – The Guardian “Goat Girl are the whip –
Honey Hahs Present new single ‘Forever’ Rough Trade Records are excited to announce the release of Honey Hahs new single ‘Forever’. The accompanying video was filmed on their first visit to Paris
RENZ Shares new single ‘Want Me ft. Trinna Carter’ Following on from his single ‘Anyting’, which was released via New Gen / Remote Control, Renz is back with ‘Want Me ft. Trinna
Rough Trade are excited to announce Starcrawler’s debut album (with kick ass new single, ‘I Love LA’ and superb video! WATCH the video for ‘I Love LA’ –
PicaPica (Rough Trade) to release debut EP ‘Spring & Shade’ Release Date: December 8th, 2017 Watch the video to ‘Small Time/Secret’ Here:
Ben’s ace new video for ‘Believe’ is live now! Benjamin Booker takes us on a surrealistic journey through military training with striking visuals from director James Lees (Unknown Mortal Orchestra, Bloc Party).
South London’s Goat Girl are excited to share the video for new track ‘Cracker Drool’, which was produced by Dan Carey (Bat For Lashes, Kate Tempest) and recorded in his South London
Check out new track ‘The Granite Gaze’ from Lankum’s new album “Between the Earth and Sky”, which is released now on Rough Trade / Rhythmethod. Described as a song “Dedicated to the
From The Forthcoming Album “Between the Earth and Sky” Release Date: 27 October 2017 “Lankum are the darlings of Dublin’s 300 year-old folk scene.” Colin Irwin – The Guardian Although an acoustic