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CHASTITY BELT Release new single ‘Elena’

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5 mins read

Acclaimed Seattle band Chastity Belt have returned with their first new music since 2017’s I Used to Spend So Much Time Alone. This heartfelt new record, simply titled Chastity Belt, is due out on Friday 20 September on LP, CD and digital via Milk! Records/Remote Control in Australia and New Zealand licensed from Hardly ArtChastity Belt was co-produced by the band and Melina Duterte aka Jay Som.

Today, Chastity Belt are sharing ‘Elena,’ the second single from this new record, which features vocalists Lydia Lund and Julia Shapiro exchanging winsome harmonies over a bed of lush instrumentals. Bassist Annie Truscott says of the song, “Over the past year, we all read and loved Elena Ferrante’s Neapolitan novels. We individually related to the ways in which the main character’s sense of self is inextricably linked to her desire for love and validation both from lovers and friends. The overlapping voices on top of the whimsical wave-like instrumentals captures the universal feeling of having a conversation with yourself about yourself.”

Chastity Belt’s energy is like a circuit, circling around the silly and the sincere. Tongue-in-cheek shit-shooting and existential rumination feed into each other infinitely.

Theirs is a long-term relationship, and that loop sustains them. That’s a creative thesis in and of itself, but isn’t that also just the mark of a true-blue friendship?

The band talks a lot about intention these days—how to be more present with each other. The four-piece—Julia Shapiro (vocals, guitar, drums), Lydia Lund (vocals, guitar), Gretchen Grimm (drums, vocals, guitar) and Annie Truscott (bass)—is nine years deep in this, after all. It seems now, more than ever, that circuit is a movement of intentionality, one that creates a space inside which they can be themselves, among themselves. It’s a space where the euphoria of making music with your best friends is protected from the outside world’s churning expectations. It’s a kind of safe zone for the band to occupy as their best selves: a group of friends who love each other.

Their fourth record, Chastity Belt, comes out of that safe space. After a restorative few months on hiatus in 2018, each member worked on solo material or toured with other bands.

Their experience navigating adult life within the strange seasons of the music industry has Chastity Beltorienting themselves towards whatever gets them to feel the most present with each other, in any part of the band grind. With the luxury of spending several weeks in the studio with Jay Som’s Melina Duterte, Chastity Belt was able to experiment. The new self-titled album is the work of the band playing “old songs, and trying new things on top of it,” like adding more dynamic harmonies and violin, says bassist Annie Truscott. Lydia, Gretchen, and Julia all share lead vocals on different tracks on the album. The result is their most sonically developed and nuanced record yet; one that’s not only a product of, but a series of reflections on what it means to take what you need and to understand yourself better.

Many of Chastity Belt’s signature dynamics, from the silly to the sincere, have read as feminist gestures: the Cool Slut DGAF-iness, the shrugging off of the “women in rock” press gargle, the fundamentally punk act of creating music on your own as a woman, and being lyrically forthright. What the making of Chastity Belt reveals is that the band has tapped into a deeper tradition of women making art on their terms: the act of self-preservation in favour of the long game. In favor of each other. In this cultural moment, taking space like this to prioritize the love over the product seems progressive. Chastity Belt’s intentions have resulted in an album deeply expressive of four people’s commitment to what they love most: making music with each other.

Chastity Belt – Chastity Belt

01. Ann’s Jam

02. Elena

03. Effort

04. Rav-4

05. It Takes Time

06. Apart

07. Half-Hearted

08. Split

09. Drown

10. Pissed Pants

Chastity Belt – Chastity Belt is out Friday 20 September via Milk! Records / Remote Control Records.

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