Iron & Wine will celebrate the 15th anniversary of Our Endless Numbered Days with the release of a newly expanded deluxe edition on CD/2xLP/DL worldwide on March 22nd, 2019. This version will feature eight previously never before heard demos, new artwork, and a 12-page booklet including liner notes from author Amanda Petrusich. You can hear the demo version of ‘Passing Afternoon’ below.
Iron & Wine received its second Grammy nomination in two years as “Best Folk Album” for 2018’s Weed Garden. Their previous nomination was for “Best Americana Album” for 2017’s Beast Epic.
Iron & Wine
Our Endless Numbered Days (Deluxe Edition)
Tracklisting:
1. On Your Wings
2. Naked as We Came
3. Cinder and Smoke
4. Sunset Soon Forgotten
5. Teeth in the Grass
6. Love and Some Verses
7. Radio War
8. Each Coming Night
9. Free Until They Cut Me Down
10. Fever Dream
11. Sodom, South Georgia
12. Passing Afternoon
13. Naked as We Came (demo)
14. Cinder and Smoke (demo)
15. Teeth in the Grass (demo)
16. Love and Some Verses (demo)
17. Free Until They Cut Me Down (demo)
18. Fever Dream (demo)
19. Sodom, South Georgia (demo)
20. Passing Afternoon (demo)
Sam Beam, aka Iron & Wine, released Our Endless Numbered Days, his second album, in March of 2004. It followed his seemingly out of nowhere debut arrival, The Creek Drank the Cradle (2002) which was a quiet word of mouth treasure. Our Endless Numbered Days was recorded in Chicago and was the first in a string of releases to be produced by Brian Deck (Red Red Meat, Modest Mouse, Ugly Casanova, etc.).
Our Endless Numbered Days, which has sold over 556,000 copies, marked many firsts for Beam both professionally and personally and as Petrusich so rightly calls it in her liner notes “Our Endless Numbered Days is a timeless record about the passage of time.”
Upon its release SPIN called the record a “masterwork” one that is “self-assured, spellbinding, and richly, refreshingly adult.” Pitchfork, which gave the original album “Best New Music,” had this to say, “An astoundingly progressive record: Beam has successfully transgressed his cultural pigeonhole without sacrificing any of his dusty allure.”
