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Nap Eyes Share New Video “I’m Bad”

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4 mins read

I’m Bad Now Out March 9th

via  Jagjaguwar / Rhythmethod

“Their relaxed, scholarly indie-rock imagines the Velvet Underground if they ditched the leathers for wool sweaters. But this languor contrasts with frontman Nigel Chapman’s hyperactive mind, yielding songs that are lucid with laser-like focus and freeze-framed detail.” – Pitchfork

Nap Eyes have unveiled the next single from their forthcoming album, I’m Bad Now. “I’m Bad,” the almost-title track deletes the temporal anchor of “now.” Delivered as a second person self-address, the country-rock inclined tune is stylistically different than anything the band has attempted, as well as mockingly self-flagellating. “You’re so dumb,” Nigel Chapman sings to himself, diagnosing his delusions.

Accompanying “I’m Bad” is a video directed by Seth Smith which The FADER premiered today. “It’s a pretty relaxed, contemplative track. It made me think of someone posing for a portrait,” says Seth. “I was thinking of self-image and the idea of seeing yourself through another person’s eyes. It was a fun set up, and a great group of not-bad people.” Nigel adds, “We’re very happy we got to collaborate with Seth to make this video. He’s an old friend, and an artist and songwriter we’ve all looked up to for many years. Keep an eye out for his feature films The Crescent (2017) and Lowlife (2012), and please listen to the music of Dog Day, if you have the opportunity!”

Watch Nap Eyes’ “I’m Bad” Video:

I’m Bad Now constitutes the third chapter of an implicit, informal trilogy that includes Whine of the Mystic (2015) and Thought Rock Fish Scale (2016). The brilliantly reductive title is something we’ve heard children announce verbatim when roleplaying the perennial game of heroes and villains, “good guys” and “bad guys.” “I’m bad now,” they declare, but an equivocal binary is implied: it’s only a matter of time or trading places before they have the capacity for good again. Perhaps goodness will manifest in the multiverse, on a different circuit than this faulty, frayed one. Is that faith or fantasy? And what is the difference? The title is also, of course, a sly Michael Jackson appropriation.

While Nigel composes Nap Eyes songs in their inchoate form at home in Halifax, Brad Loughead (lead guitar), Josh Salter (bass), and Seamus Dalton (drums), who live a twelve-hour drive away in Montreal, augment and arrange them, transubstantiating his skeletal, ruminative wafers into discourses that aim to transcend what Nigel self-laceratingly deems “bored and lazy disappointment art.” The band provides ballast and bowsprit to Nigel’s cosmical mind. The nautical metaphor is not just whimsy: Nap Eyes are all Nova Scotians by raising and temperament, acclimated to life on an Atlantic peninsula linked narrowly to the rest of North America. Brad is a physical guitarist whose lyrical grace is matched only by the dark ferocity of his feedback-laced solos, while Josh and Seamus exercise an unassuming mind-meld melodicism and vigor with their gentle thrumming.

Nap Eyes online:

https://www.napeyes.com/

https://twitter.com/napeyes

https://www.facebook.com/napeyes/

https://www.instagram.com/napeyes/

https://napeyes.bandcamp.com/

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