“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real time” – Alternative Press “a brash showcase for Creevy’s talents, and a declaration of intent for the future
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Praise for Cumgirl8: ‘phantasea pharm, a six-track collection of gothic pop and scuzzy dance-punk studded with horny prose. Like their titillating outfits, phantasea pharm is fun and eye-catching’ – Pitchfork ‘The genre-splicing offering fuses powerhouse post-punk,
The songs of Haunted Mountain were written in mountains: by cold springs
Praise for ‘The King’: “Beautiful.” – ‘Father’ Single (29 June ‘23) – Clash
“he finds transcendence in apocalyptic imagery and beauty in terror…the vision is wholly Holley’s, and the music is his signature ambient-soul: half-spoken, half-crooned, built on pillowy keyboards but almost uncomfortably intense and
“Once the interlopers for certain pop music gone horribly wrong but just what the UK (and the world around it) needed; now the well-known band with a Best Of under their belt
“Expendables shifts air with the kind of delight reserved for people who know that closest thing to heaven is to (punk) rock and roll” – 4/5 Loudersound “Fake Names really does feature musicians
“I’ve been loving Andy Shauf…for a minute now. He’s just such a phenomenal storyteller. I love the way his voice can kinda curl around a phrase. Such a distinctive voice. His music’s
“The Americana songwriter shows that true love survives the tough times in her latest visual” “In March, Andrews released her latest full-length effort May Your Kindness Remain, which finds her with an even