Notions of “light” and “destruction” might seem like ideological opposites at first glance, and My Light, My Destroyer is indeed consumed with the theme of duality. Witness the crunch of ‘Petco,’ in which Jenkins’ “landlord pink” walls seem to cave in as she looks through a window at “two doves
Read MoreNotions of “light” and “destruction” might seem like ideological opposites at first glance, and My Light, My Destroyer is indeed consumed with the theme of duality. Witness the crunch of ‘Petco,’ in