Wellington Psych Pop Band Glass Vaults announce NZ Tour!

“The record follows on the footsteps of the group’s 2014 offering Sojourn, but sees them reach even deeper into a world of swirling psychedelic indie-pop to pull out nine-songs set to tickle the senses.”

– undertheradar.co.nz

Wellington-based outfit Glass Vaults are stoked to announce their New Zealand Tour in support of their very new sophmore album, ‘The New Happy’, out now on UK label, Melodic.

Their first public performances in over a year, they bring with them very special guests; WOMB.

glassvaults.bandcamp.com/album/the-new-happy

w–o–m–b.bandcamp.com/track/kissing-in-the-dark

Auckland – Golden Dawn – 30/6 – w/ support from Womb

Wellington – Caroline – 1/7 – w/ support from Terror of the Deep and Womb

Christchurch – Space Academy – 7/7 – w/ support from Pickle Darling and Womb (solo)

Dunedin – None Gallery – 8/7 – w/ support from Womb (solo)

Tickets available from UTR, Slow Boat, RPM and Relics Music.

If you want to know the secret to happiness, look no further than transcendental psychedelic pop outfit Glass Vaults. The New Zealand via Berlin band led by Richard Larsen, Rowan Pierce and Carpark Record’s signee Bevan Smith, create a unique concoction of joyously uplifting pleasure in their sonic laboratory and The New Happy is the result – an exploration of the euphoric sensations associated with Autonomous Sensory Meridian Response (ASMR).

Glass Vaults’ sophomore LP was recorded and mixed to seduce. ASMR, otherwise known as a “brain orgasm,” is an aurally triggered euphoric experience characterised by a tingling in the scalp which travels down the neck and spine and The New Happy was specifically mixed to elicit an ASMR effect. “We focused on retaining short high frequency transients and worked on modulating and panning certain sounds to induce goose bumps and shivers when listened through headphones,” Smith explains of the record’s atmospheric ambiance. “It looks not to emulate a sexual high, but a deeper, euphoric wave, that washes over the body in feelings of comfort and security… a new kind of happy.”

“We have always considered Glass Vaults to be an extension of our larger artistic interests and process,” Richard reveals. “One thing which has never changed is our goal of creating music that fully immerses those who experience it. We’re creating worlds and stories to fully transcend the audience.”

Whether it’s capturing the feelings brought about by recollections of the pair’s pre-teen days chatting with friends on MSN and downloading music from Napster (‘Savant’) sitting on Manhattan rooftops (‘Brooklyn’) or watching the sun rise after a long cold winter (‘The New Happy’), each song is a shot of serotonin to the synapses. Speaking of the title-track Larsen says; “I was interested in creating the feeling of the classic New Zealand summer. When I listen to this song I imagine a Fruju iceblock advert shown there in the 90s. Young beautiful people jumping off a boat, eating ice blocks and singing “Ooh Aah!”

Not stopping at physical pleasure, The New Happy’s absorbing soundscapes delve deeper into the unconscious by exploring nostalgia and dreams; ‘Rewind’ was inspired by a dream of hitting rewind on life whilst ‘Mind Reader’ refers to the way dreams linger, well into waking hours.

The New Happy sees the band peeling away at a once hazy veneer to reveal vibrant and colourful majestic pop moments crafted with precision and clarity. “The New Happy is a sonic departure for us… where once we would have relied on large crystalline reverbs, this record takes cues from intimate spaces, percussive rhythm and groove to elicit a different kind of transcendence.” Glass Vaults’ unique brand of dreamy psychedelic pop has wowed capacity crowds everywhere from drained swimming pools and humid forests, to New Zealand, Australia, and the U.S.A.