Today New York-based, Peruvian-born artist Daniela Lalita releases her debut single and music video for ‘Tenía Razón,’ out now on Young. Written, produced (with co-production from Sega Bodega) and directed by Lalita, it’s a bold debut for the multi-hyphenated artist whose practice spans music, costume design, film, performance and fine art.
Read More“New Zealand have a new pop duo on the scene that are going to melt your hearts and have you ready to dance under fluorescent lights.”– thomasbleach.com Consisting of best friends Grace Moller
Future Islands release new video for ‘Glada’ off of their 2020 album As Long As You Are. The video captures a surreal and stunning portrait of the Swedish countryside and follows a lasting
Musical guest Julien Baker performs ‘Hardline‘ for Late Night with Seth Meyers. New album Little Oblivions, OUT NOW!
Today, Perfume Genius reveals A. G. Cook’s remix of his single ‘Describe’. The track is taken off the forthcoming IMMEDIATELY Remixes album which is set for release digitally on March 12th and
Hey, King! has released their anthemic new single “Road Rage” today. With a sound reminiscent of The Black Keys, the biting electric guitar and drum-driven “Road Rage” fiercely expresses the frustration women
Erika de Casier serves up another dose of minimalist R&B with second new single, ‘Drama’. The song, the Copenhagen-based songwriter and producer says, centres around recognising and acknowledging one’s dramatic tendencies –
Ska-punk pioneers The Mighty Mighty BossToneS will release their 11th studio record When God Was Great on May 7 via Hellcat Records. Co-produced by longtime collaborator Ted Hutt (The Gaslight Anthem, Dropkick
In October last year, Gabriel Garzón-Montano released his new album, Agüita, a collection of “tender acoustic ballads, silky R&B performance, and contemporary urbano swagger” (Pitchfork), via Jagjaguwar. The album was met with
Jubilee is out June 4th via Dead Oceans + watch video for lead single ‘Be Sweet’
The familiar elements of Tuareg electric guitar music are here: modal riffs and a kinetic six-beat, three-against-two pulse. But “Chismiten” — with lyrics chiding about the pointlessness of jealousy — supercharges those