“Best-solo album…Bright November Morning does feel like a new dawn for the Don.. the great storyteller of New Zealand music” – Russell Baillie, NZ Listener “It’s a marvel…Being able to articulate the complex relationship between people and place, fear and beauty, freedom and risk, memory and hope in a few
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“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real
“One of the year’s best pop records” – Wall Street Journal “Extraordinary, winning songs
Praise for Cumgirl8: ‘phantasea pharm, a six-track collection of gothic pop and scuzzy
Praise For Lifeguard “Terrific debut” – The Guardian “… thrilling and deafening rock that lives somewhere between timeless and contemporary” – NME “Lifeguard blitzed our senses” – Stereogum “Loud in a smart, subversive way” – Chicago Reader “A band
Praise for ‘The King’: “Beautiful.” – ‘Father’ Single (29 June ‘23) – Clash “A beautifully layered vocal introduction whips up into an excoriating hurricane of anger.” – SNACK Magazine “If Giver Taker was an album
“he finds transcendence in apocalyptic imagery and beauty in terror…the vision is wholly Holley’s, and the music is his signature ambient-soul: half-spoken, half-crooned, built on pillowy keyboards but almost uncomfortably intense and
“Once the interlopers for certain pop music gone horribly wrong but just what the UK (and the world around it) needed; now the well-known band with a Best Of under their belt
“Expendables shifts air with the kind of delight reserved for people who know that closest thing to heaven is to (punk) rock and roll” – 4/5 Loudersound “Fake Names really does feature musicians
“I’ve been loving Andy Shauf…for a minute now. He’s just such a phenomenal storyteller. I love the way his voice can kinda curl around a phrase. Such a distinctive voice. His music’s
“I wish I could get to one of the gigs, because it’s a really enjoyable record I imagine translates to a beautiful, thoroughly immersive live experience. Lo-fi aesthetics belie high-calibre melodic interplay,
“Warm Chris is a kind of pop apotheosis…confirms her place as a singular artist and an international star in music’s left field.” Graham Reid – Listener “As with all things Aldous Harding,
“Best-solo album…Bright November Morning does feel like a new dawn for the Don.. the great storyteller of New Zealand music” – Russell Baillie, NZ Listener “It’s a marvel…Being able to articulate the
The group plays deeply emotional deconstructed post-rock with heavy doses of orchestral beauty, and people, they are incredible. The Books, Adult Jazz, Sufjan Stevens, and Talk Talk all come to mind, among