“Best-solo album…Bright November Morning does feel like a new dawn for the Don.. the great storyteller of New Zealand music” – Russell Baillie, NZ Listener “It’s a marvel…Being able to articulate the complex relationship between people and place, fear and beauty, freedom and risk, memory and hope in a few
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“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real
Praise for Cumgirl8: ‘phantasea pharm, a six-track collection of gothic pop and scuzzy
“One of the year’s best pop records” – Wall Street Journal “Extraordinary, winning songs
“Expendables shifts air with the kind of delight reserved for people who know that closest thing to heaven is to (punk) rock and roll” – 4/5 Loudersound “Fake Names really does feature musicians
“I’ve been loving Andy Shauf…for a minute now. He’s just such a phenomenal storyteller. I love the way his voice can kinda curl around a phrase. Such a distinctive voice. His music’s
“I wish I could get to one of the gigs, because it’s a really enjoyable record I imagine translates to a beautiful, thoroughly immersive live experience. Lo-fi aesthetics belie high-calibre melodic interplay,
“Warm Chris is a kind of pop apotheosis…confirms her place as a singular artist and an international star in music’s left field.” Graham Reid – Listener “As with all things Aldous Harding,
“Best-solo album…Bright November Morning does feel like a new dawn for the Don.. the great storyteller of New Zealand music” – Russell Baillie, NZ Listener “It’s a marvel…Being able to articulate the
The group plays deeply emotional deconstructed post-rock with heavy doses of orchestral beauty, and people, they are incredible. The Books, Adult Jazz, Sufjan Stevens, and Talk Talk all come to mind, among
“Leon Bridges and Khruangbin Redefine the Lone Star Sound With ‘Texas Moon’’ – Billboard “Celestial, otherworldly and incredibly psychedelic” – Uproxx “Could easily sit next to Al Green’s “Let’s Stay Together,” Barry
– “Ten albums and nearly three decades in, Spoon still sound fresh, with swing and swagger – and there isn’t a dull moment” – The Guardian “It is the sound of a
“Put simply, it’s a masterpiece… a group undoubtedly at the peak of their powers.” – DIY (4.5/5) “Instantly satisfying, but its charms and mysteries will resound for years.” – Uncut (9/10) – “An amorphous,
“it transcends genre and would be better described as a musical expression of one person’s inner workings. Press play and succumb to the mind of Sheep, Dog & Wolf…” – Undertheradar “”echoes