The songs of Haunted Mountain were written in mountains: by cold springs in the Serra de Estela of Portugal, on the submerged volcano of Milos in the Cyclades, Valle Onsernone in the Swiss Alps (where Haunted Mountain’s cover photo was taken), and the Santa Monica range where Meek now calls
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“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real
Praise for Cumgirl8: ‘phantasea pharm, a six-track collection of gothic pop and scuzzy
Praise For Lifeguard “Terrific debut” – The Guardian “… thrilling and deafening rock that
Reviews Pitchfork Review (7.4/10) – https://pitchfork.com/reviews/albums/a-savage-several-songs-about-fire/ “ the acoustic songs and electric rave-ups alike are simple and sturdy, anchored by his guitar and
“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real
The Guardian 4/5 “A moment of intense, acidic awakening that feels like a fresh start” The Independent 4/5 Line of The Best Fit 8/10 “The National’s best album in ages, Laugh Track is
Praise for Cumgirl8: ‘phantasea pharm, a six-track collection of gothic pop and scuzzy dance-punk studded with horny prose. Like their titillating outfits, phantasea pharm is fun and eye-catching’ – Pitchfork ‘The genre-splicing offering fuses powerhouse post-punk,
The songs of Haunted Mountain were written in mountains: by cold springs in the Serra de Estela of Portugal, on the submerged volcano of Milos in the Cyclades, Valle Onsernone in the
Praise For Lifeguard “Terrific debut” – The Guardian “… thrilling and deafening rock that lives somewhere between timeless and contemporary” – NME “Lifeguard blitzed our senses” – Stereogum “Loud in a smart, subversive way” – Chicago Reader “A band
Praise for ‘The King’: “Beautiful.” – ‘Father’ Single (29 June ‘23) – Clash “A beautifully layered vocal introduction whips up into an excoriating hurricane of anger.” – SNACK Magazine “If Giver Taker was an album
“he finds transcendence in apocalyptic imagery and beauty in terror…the vision is wholly Holley’s, and the music is his signature ambient-soul: half-spoken, half-crooned, built on pillowy keyboards but almost uncomfortably intense and
“Once the interlopers for certain pop music gone horribly wrong but just what the UK (and the world around it) needed; now the well-known band with a Best Of under their belt
“Expendables shifts air with the kind of delight reserved for people who know that closest thing to heaven is to (punk) rock and roll” – 4/5 Loudersound “Fake Names really does feature musicians