“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real time” – Alternative Press “a brash showcase for Creevy’s talents, and a declaration of intent for the future
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Praise for Cumgirl8: ‘phantasea pharm, a six-track collection of gothic pop and scuzzy dance-punk studded with horny prose. Like their titillating outfits, phantasea pharm is fun and eye-catching’ – Pitchfork ‘The genre-splicing offering fuses powerhouse post-punk,
The songs of Haunted Mountain were written in mountains: by cold springs
Praise for ‘The King’: “Beautiful.” – ‘Father’ Single (29 June ‘23) – Clash
This is Lorelei – The Singer In My Band (Matador) (13th Floor Album Review) Matthew Dallas This Is Lorelei does away with the bells, beeps and whistles on The Singer In My Band, crafting a
Album Review: Imagine If We Could Just Keep Driving The Broken Heartbreakers Review by Mag Kirk-Davies // 8 September 2026 Muzic.NZ John Guy Howell and Rachel Bailey return to the indie-folk scene with
Album Review: Descending Dreams Hina Review by Tim Gruar // 24 August 2026 When Hina (Amy Boroevich – Te Rarawa, Ngāti Raukawa) talks about this album, she speaks of contraction: the emotional rooms she
There comes a time in every ageing Gen-Xer’s life when they must ask themselves how many Dinosaur Jr. records do they really need? There Near makes a compelling argument that there can only ever be one
The moments of hope and wonder feel hard-fought for on Phoebe Bridgers’ insular and enthralling new record Lost Weekend and mean all the more for it. The gifted singer-songwriter from LA meditates on both burgeoning love
By Sam Sodomsky Reviewed April 10, 2026 Former Black Midi bassist Cameron Picton’s dazzlingly complicated solo debut is a tangle of baroque melodies, chamber-punk arrangements, and garden-path lyrics. The way Cameron Picton tells
Tears of Injustice is the acoustic version of Mdou Moctar’s Funeral for Justice. It is an evolution of the band’s critically-adored breakout – the meditative mirror- image to the blistering original. Here’s
Reviews Pitchfork Review (7.4/10) – https://pitchfork.com/reviews/albums/a-savage-several-songs-about-fire/ “ the acoustic songs and electric rave-ups alike are simple and sturdy, anchored by his guitar and
“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real
The Guardian 4/5 “A moment of intense, acidic awakening that feels like a fresh start” The Independent 4/5 Line of The Best Fit 8/10 “The National’s best album in ages, Laugh Track is