“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real time” – Alternative Press “a brash showcase for Creevy’s talents, and a declaration of intent for the future
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Praise for Cumgirl8: ‘phantasea pharm, a six-track collection of gothic pop and scuzzy dance-punk studded with horny prose. Like their titillating outfits, phantasea pharm is fun and eye-catching’ – Pitchfork ‘The genre-splicing offering fuses powerhouse post-punk,
Reviews Pitchfork Review (7.4/10) – https://pitchfork.com/reviews/albums/a-savage-several-songs-about-fire/ “ the acoustic songs and
The Guardian 4/5 “A moment of intense, acidic awakening that feels like
Reviews Pitchfork Review (7.4/10) – https://pitchfork.com/reviews/albums/a-savage-several-songs-about-fire/ “ the acoustic songs and electric rave-ups alike are simple and sturdy, anchored by his guitar and
“leans further into rock than ever before, without losing touch with Creevy’s emotional candidness — rather, on this album, she easily embraces the wonderfully unsettling depths of the human psyche, in real
The Guardian 4/5 “A moment of intense, acidic awakening that feels like a fresh start” The Independent 4/5 Line of The Best Fit 8/10 “The National’s best album in ages, Laugh Track is
Praise for Cumgirl8: ‘phantasea pharm, a six-track collection of gothic pop and scuzzy dance-punk studded with horny prose. Like their titillating outfits, phantasea pharm is fun and eye-catching’ – Pitchfork ‘The genre-splicing offering fuses powerhouse post-punk,
The songs of Haunted Mountain were written in mountains: by cold springs in the Serra de Estela of Portugal, on the submerged volcano of Milos in the Cyclades, Valle Onsernone in the
Praise For Lifeguard “Terrific debut” – The Guardian “… thrilling and deafening rock that lives somewhere between timeless and contemporary” – NME “Lifeguard blitzed our senses” – Stereogum “Loud in a smart, subversive way” – Chicago Reader “A band
Praise for ‘The King’: “Beautiful.” – ‘Father’ Single (29 June ‘23) – Clash “A beautifully layered vocal introduction whips up into an excoriating hurricane of anger.” – SNACK Magazine “If Giver Taker was an album
“he finds transcendence in apocalyptic imagery and beauty in terror…the vision is wholly Holley’s, and the music is his signature ambient-soul: half-spoken, half-crooned, built on pillowy keyboards but almost uncomfortably intense and
“Once the interlopers for certain pop music gone horribly wrong but just what the UK (and the world around it) needed; now the well-known band with a Best Of under their belt
“Expendables shifts air with the kind of delight reserved for people who know that closest thing to heaven is to (punk) rock and roll” – 4/5 Loudersound “Fake Names really does feature musicians